When I uploaded the photos from my five-year-old daughter’s digital camera, I found some shots that managed to capture unexpected looks and expressions on people. I was so taken by at least one I decided to work up an image.

I was also partly inspired by the character “Meave” that I created in my mind for this little piece of fiction for my Lost Heroes RPG project. Here’s the relevant two paragraphs:

The young emo-goth Meave sits by herself in the school cafeteria. She numbly rubs at the healed scars on her wrists. The other kids just ignore her today. This is a good day for her. …

Meave will see her father, the god Dagda, in the distance watching her. She will run from him, run as hard as a princess of worlds that don’t exist can run. And the crows will screech through the sky after her.

During the process I ended up branching and producing a second more creepy character (which I’ve been referring to as “deadeyes”). Anyway, here are the two completed images:

(Which one works best do you think?)

The one thing I’m learning in any of my creative endeavours; writing, drawing and even programming, is that you learn so much by working through the process from beginning to end and it greatly improves the basic fundamental skills. And the stuff I did during the process, I think, is nearly as good as the end result.

I’ve been tinkering a lot with my drawing process. For a start I didn’t use a scanner. Instead I photographed them with a digital camera and use the photos. This preserves the textures and tones much better than using a scanner. You can see this in the original pencil drawing here.

But there is a catch which I’ve noticed. The shape of the lens of the camera “bends” the drawing. It’s not perfectly to shape, there is a slight distortion. But I think it pays off in terms of the quality of the image.

It was the expression that really captured my imagination and those big lips. I’ve been told I got a good likeness of the person in the photo, however I’m not going to be uploading it here so you’ll just have to take my word for it.

I already had the end image composition in my mind, but I needed a good background. I grabbed several reference images from my photo collection and developed this of a murder of crows. The image is good enough stand-alone I think.

I had originally intended this to be a silhouette only, pure black. I used ink with brushes and black markers and I ended up giving it some texture, which really worked. Then, for good measure, I used charcoal to give it that rising tint you get at twilight. Again I photographed it to keep the texture (it was also on an A3 page so my A4 scanner is too small). And once I had the images on the computer I could start playing around with composition:

Prototype of background and character

I then printed out a series of the character study to see how I could “enhance” it:

(You can see where I came up with the dead-eyes concept)

My first stab at moving the sketch to ink was atrocious (and I’m not uploading it here!). So I pass the sketch through some filters on the computer and got out a raw black and white version and I used this as the basis of the first run. I thought it looked cool, though I think part of the expression got lost (but the ratio of the head to body seemed to improve, or had you not noticed that it was off?).

Having everything set up, I just ran with it and dug up the second character visualisation:

Initially I thought it came out better, but looking at the final two pieces, it was simply different but just as good.

Once all the pieces were in place, it was just a matter of getting them into the computer and arranging them in some image editor. I did play around with a lot of the funky effects you can do in software, but I felt they didn’t add to the final image. I think such effects work better if you’re colouring the images.

Both images work, though they each have a different feel. Certainly the “deadeyes” one is more creepy, but the first is closer to my original vision. I learned lots doing this one, and I have a few other projects/ideas I want to do. I may even use this image in Lost Heroes RPG: Book of Gods, you’ll just have to wait and see.

Related Posts:

• Dead Desktop PC = More Drawings
• Drawings from the weekend
• Final renderings and access to an A3 scanner!
• New Lost Heroes Image: Renegade Chosen Matthew
• Playing with the Lost Heroes RPG: “Book of Gods” Cover

Unfortunantly I haven’t been able to write much these few weeks. The main reason is our desktop PC at home is waiting to be repaired and my laptop has become the only computer left in our house – so to keep myself and my wife sane, we’re sharing it in the evening. This forced me off the sofa and digging into my art stuff again.

(Hopefully this post comes out alright on LJ, I can never be quite certain how my WordPress posts translate to LiveJournal style anymore)

Demon Icon

Olympians Icon #3 (Colour)

Olympians Icon #2 (Black Background)

Olympians Icon

The second image I’ve only barely finished. This again was intended to be part of my Lost Heroes RPG project. It’s meant to represent the Olympian and associated Gods. I did quite a variety of designs, finally settling this one. But I’m still not completely happy with it. In fact I did two further varianets of it, which you can see below. The first one I wanted to highlight the rose more so I used solid black for the background and tried to add texture with some hatching lines. The second one, I used colour to highlight the rose, a big departure from the previous icons I’ve done. I’d rather keep to the black and white motif (easier to print) but the colour would does look quite nice. Perhaps I should play around with using greys as well as black?

(More new art and a poll after the “link”)

Note: There is a poll embedded within this post, please visit the site to participate in this post's poll.
Part of the reason I enjoy doing these icons is that it helps focus my mind on the next section of writing for Lost Heroes. It drags me into it, into thinking about what is important to represent in that section. Strangely most of my work these days is focused around Lost Heroes, even that which isn’t directly intended to be part of the project. For example, despite losing some of the access to my place to write, I did manage to complete this very short story: Laura and the Stalker with the Golden Blade. While it stands alone as a piece of fiction, it is embedded very much in the mythos and setting of Lost Heroes displaying many of the themes I want to put into the project.

So when I started just drawing for the sake of it, I came up with this on the right. Again the iconography and themes of the art is all Lost Heroes. I like the composition of the piece though I think it might have worked a lot better using ink instead of pencil/charcoal. Though charcoal is fun to use, dirty and messy and getting your hands into the piece. This piece on the right shows a much earlier incarnation of the same idea. I don’t know if I have “improved” since then, but I do enjoy more.

I also did one final image. It was sorta rushed but I did it on the wave of the previous piece. It’s a scene I keep imagining in my head (again, based off Lost Heroes). This rendering doesn’t do it justice, but the composition and layout of elements is there. Again done with the messy pencil and charcoal, though I think it would really work with striking black and greys.

Related Posts:

• Some new art work: Meave and Dead Eyes
• Drawings from the weekend
• Final renderings and access to an A3 scanner!
• New Lost Heroes Image: Renegade Chosen Matthew
• Playing with the Lost Heroes RPG: “Book of Gods” Cover

(Hopefully I’ve manage to lick that thumbnail cropping issue). Anyway, I did some more drawings over the weekend. I re-did the design of one of the ones I did for this post, so that it’s not so phallic:

I also did some new ones, continuing to base them on my “secret” project L___ H_____:

I also pulled out my charcoal and pencil again, concentrating on contrast, making sure my pencil lines are right (kind of taking my tips from my ink work). I like what I produced, though I feel should have placed it in a background. I’m also getting a bit annoyed about the scanning process, it always seems to take from my pencil work. I should really look into improving it.

Related Posts:

• Some new art work: Meave and Dead Eyes
• Dead Desktop PC = More Drawings
• Final renderings and access to an A3 scanner!
• New Lost Heroes Image: Renegade Chosen Matthew
• Playing with the Lost Heroes RPG: “Book of Gods” Cover

So over the holiday I got to some drawing. The big thing really was that I started to use charcoal, not a major step but something I’ve been meaning to do for a long time. But I started with a simple tonal study, to get my eye and hands back into the swing of it (for some reason WordPress has cropped the thumbnail so to have a proper look at it, click on it):

So my first effort with charcoal was this (click on it to see the bigger version):

It was done as quick experiment on my sketchbook (across two pages) of a twig. I did the outline in ink. However you can see where the charcoal smudged accidentally. I liked it, it was much easier and faster to pull out the change in tones using the charcoal than with pencil like in the tonal study I did first. But a lot messier and prone to accidents.

I then went out and found something to really try the charcoal out on. In Chargey, where we were on holidays, there is lots of really old lovely things. There was this “saint” statue on the side of the old house, worn by weather, it had long lost its head. I love the fact that it was just a lump of rock but somehow you were able to perceive that it was once a detailed statue (again WordPress has cropped the thumbnail, I’ll have to find a fix for that):

The first one was done with pencil and charcoal. I didn’t do any of the background which I think distracts from the picture, loses it’s context, but I also found the final work messy and, well, a bit random. The second study, I outlined in ink first, including the background and then tried to capture the tone of the stone statue with charcoal. I think the second one is better but loses the feel of the statue. Everyone who saw the actual drawings preferred the first one, because the contrast between ink and charcoal was much more noticeable than the digital copies here.

There was a second statue, much bigger than this one but also very similar. This time I tried toned paper (i.e. not white):

The first thing that hit was the effect of the grade of paper. My light pencil marks were not working, so I dove straight in with the charcoal but I couldn’t make any tone… just black and a tiny smudge. The effort was a bit, well shite. If you knew the statue in the house, you’d recognise it, but I think it failed to capture anything else.

What this highlighted for me was the effect of the type of paper on my drawing, in particular with charcoal. On my notebook (the twig) I was able to get a really good strength and contrast of tone, but on my A4 sketch pad, the paper is thinner. It has a different effect, harder to generate really deep tones. But the coloured paper was the thickest of them all but it’s texture made it impossible to create contrast in tones at all. I’ve always known that paper makes a difference, but it was always negligible for me. With ink, I would place a spare page underneath thin paper so it’d soak up ink that leaked through. Also the way my coloured  markers’ ink spread, was really affected by the thickness of the paper.

So my first thoughts on charcoal is that it’s cool. I like what I can produce with it, but it does require further playing with it. And I love its messiness.

Related Posts:

• Some new art work: Meave and Dead Eyes
• I’m back two weeks already? My my my…
• Dead Desktop PC = More Drawings
• Drawings from the weekend
• Final renderings and access to an A3 scanner!